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karaoke 唱會兒歌

ZH / EN

我一直都很喜歡唱卡拉OK。

我出生在中國江蘇北部的一個縣城,也在那裡度過了我人生中的前十年。媽媽那個時候偶爾會和她的女朋友們聚餐,飯後消遣也常常是卡拉OK,那時候多被稱為「去歌廳」。對於當時還小的我 - 同樣,也對於當時的縣城來說 —— 歌廳是一個光怪陸離的地方。沒有任何一個場所比歌廳特殊。穿過亮著廉價LED燈的長廊,進入一個充溢著紫色藍色綠色的異空間。服務生可以從任何一個角落裡鑽出,不管是飲料還是水果永遠都被做成極其花哨的模樣。大人們行色匆匆,大多數時候,他們的臉上帶著一種同日光下截然不同的,更加直截、更加曖昧的表情...

走進一扇小門,阿姨們紛紛唱起自己拿手的歌曲(記得每次都有人點的歌是我只在乎你,而我的媽媽每次都會唱畫心)。而我們小孩就只是坐在一旁,吃吃果盤,看著 MV 幻想自己未來或許會擁有的都市麗人生活。

幾年前,我在SNS上讀到一篇貼文:在夜生活方式上,東亞人偏好卡拉OK,而西方人偏好銳舞派對。這或許是因為東亞人日常更加內斂謙遜,於是需要一個打破條條框框,讓其他人都聽「自己的聲音」的機會;而西方人則恰恰相反,他們更追求匿名的躍動與人群中私密的狂歡。儘管這篇貼文現在看來可能稍許有些過時,但我覺得它的確觸碰到了一些地方。

再後來,我和曾經的一些朋友一起創立了一個collective。當我們剛開始這段旅程時,最想要舉辦的活動就是卡拉OK。這中間經歷了不少拖延和周折,但最後我們還是做到了,並且成功讓卡拉OK變成了我們最受歡迎的活動之一。儘管我們已經在25年底解散,但想起這段回憶,我的心中還是充滿甜蜜。

這裡是一段我當時為我們的活動寫的文字:

發源於日本,「卡拉OK」這個詞其實蘊含著更深的意義。「Kara」的意思是「空、虛無」,而「okesutora」——簡稱為「oke」——則是日語中「管弦樂團」(orchestra)的英語外來詞。因此,每一次唱卡拉OK,其實都是在參與一場「空無一人的管弦樂」。

早在此前的二月,我們就萌生了舉辦卡拉OK的想法。但由於種種原因,這個計畫一直未能成行(你可以在我們的出版物中找到一本名為《Karaoke?》的小冊子,裡面記錄了這場幻影般卡拉OK的所有「證據」)。直到今年六月,我們終於舉辦了第一場卡拉OK,從此便再也停不下來。

多元的文化背景塑造了我們,而唱歌,作為最基本、最純粹的自我表達方式之一,以一種原始的力量,毫不費力地將大家凝聚在一起。當歌聲響起,一種天然的信任感便彌漫在整個空間裡。偏見與社會的條條框框在此刻都不復存在。這正契合了我們集體的信念:去中心化的原則、不斷滋養的團結、共同承擔的責任,以及集體的力量。

在我們的卡拉OK裡,每個人都能找到屬於自己的舞台。你可以用自己獨一無二的方式,向大家展現你熱愛的歌曲,以及藏在歌曲背後的一切。

從過去的經驗中,我們驚喜地發現,這個卡拉OK已經成為所有參與者心中的一個安全空間。在這裡,你無需感到羞怯,不必擔心自己的音色或音準;沒有人會對你品頭論足。用你最自在的語言,向大家展示你心愛的歌,並真誠地為自己感到驕傲吧。

我想要把這種精神繼續下去,於是在這裡,我開發了一個賽博卡拉OK室。

如果你願意一起聽聽歌,或許大聲或默默唱一小段,請點擊下面的按鈕。它會把你帶到一個隨機歌曲界面。界面上一直會有兩個選項,一項是伴奏,一項是「原唱」 - 這裡的原唱不僅是原本歌手的聲音,也有我,或者其他參與者的聲音。我希望這能給你帶來一些陪伴感。

另外,這個歌廳一直接受投稿。如果你也願意分享自己或朋友們的歌聲與背後的故事,請通過主頁聯繫我,我會很願意收錄你的獨特回憶。

I have always loved singing karaoke.

I was born in a small county in northern Jiangsu, China, where I spent the first ten years of my life. Back then, my mother would occasionally dine out with her girlfriends, and their post-meal entertainment was often karaoke, which we mostly called "going to the singing hall." To my younger self—and equally, to the county town back then — the singing hall was a bizarre and dazzling place. No other venue was quite as special. Walking through a corridor lit by cheap LED lights, you would enter an otherworldly space overflowing with purple, blue, and green. Waiters could emerge from any corner, and the drinks and fruit platters were always arranged in the most extraordinarily flashy ways. The adults hurried about, and most of the time, they wore expressions distinctly different from those seen in the daylight: more direct, yet more ambiguous...

Stepping through a small door, the aunties would take turns singing their signature songs (I remember someone always requested Teresa Teng, while my mom would always sing Painted Skin). We kids would just sit on the side, snacking on the fruit platter, watching the music videos, and fantasizing about the glamorous urban lives we might one day lead.

A few years ago, I read a post on social media: regarding nightlife, East Asians prefer karaoke, while Westerners prefer rave parties. Perhaps this is because East Asians are generally more restrained and modest in daily life, thus needing an opportunity to break the rules and make others listen to "their own voices." Westerners, on the contrary, seek the anonymous pulsation and the private revelry within a crowd. Although this post might seem a bit dated now, I felt it did indeed touch upon something real.

Later on, I co-founded an art collective with some friends. When we first started that journey, the event we wanted to host most was karaoke. We experienced quite a few delays and setbacks along the way, but we finally made it happen, and it successfully became one of our most popular events. Even though we disbanded at the end of 2025, thinking back on those memories still fills my heart with sweetness.

Here is a piece of text I wrote for our event back then:

Originating from Japan, the word “karaoke” actually has more meanings. Kara means “empty, void” and okesutora - short oke - means “orchestra” and is an English loan word in the Japanese language. Thus, every karaoke session is an empty orchestra.

We initiated the idea of hosting a karaoke in February already. But for many reasons, it never came to fruition (you may find a booklet called “Karaoke?” in our publication, which recorded every “evidence” of the illusory karaoke). This June, we finally hosted our first karaoke, and we haven’t stopped ever since.

Our diverse cultural backgrounds have molded us, and singing, as one of the most fundamental ways of expressing ourselves, effortlessly brings us together in a primal manner. While singing, a natural trust permeates the space. Prejudices and social codes don’t exist anymore. This aligns with our collective belief: a principle of decentralization, nurtured solidarity, shared responsibility, and collectivity.

Everyone could find their stage in our karaoke sessions. You may present the songs you love and everything that comes behind them to everyone - in your own, unique way.

From our past practices, we surprisingly found out that our karaoke became such a safe place for all the participants. Here, you won’t be shy or concerned about your tone and pitch; no one will judge you. Use the language you prefer, show everyone the songs you love, and be proud of yourself.

I want to carry this spirit forward, so here, I have developed a cyber karaoke room.

If you would like to listen to some songs together, or perhaps sing a short verse loudly or silently, please click the button below. It will take you to a random song interface. There will always be two options on the screen: one is the instrumental track, and the other is the "original voice”: here, it includes not only the original singer's voice but also mine, or the voices of other participants. I hope this brings you a sense of companionship.

Additionally, this singing hall is always accepting submissions. If you are willing to share the voices of yourself or your friends, along with the stories behind them, please contact me through the homepage. I would be more than happy to include your unique memories.

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